Available in six models, the BLACKBOX RECORDER offers a choice of analogue, digital, MADI and DANTE interface options.
The BLACKBOX RECORDER with Balanced i/o enables audio capture via a mixing console with balanced insert points or direct outputs. The three lower 25-way female D-type connectors are used as balanced inputs and the three upper 25-way female as balanced outputs. The unit can use the same high quality D-type cables as for the unbalanced BBR1, but these are not supplied as there are too many different types of termination (1/4" TRS, XLR male, XLR female, 25-way D-type, etc.).
In the same manner as the Unbalanced model, the BBR1B loops the inputs directly to the outputs via relays when in record or stop so that even a power failure on the BBR cannot affect the audio through the PA. Other BlackBox Recorder features remain unchanged.
The Balanced i/o interface uses high quality balancing receivers and transmitters and has been designed specifically for the BLACKBOX RECORDER to be fully transparent.
The BLACKBOX RECORDER with Lightpipe i/o enables audio capture via a digital mixing console supporting Lightpipe (TOSlink) inputs and outputs. This BBR model can also interface directly with any of the high quality A-D converters that incorporate Lightpipe outputs.
Three 8-channel Lightpipe inputs can be connected from the mixer and three Lightpipe outputs can return the signals back to the mixer. All other BlackBox Recorder features remain unchanged and the full analogue i/o capability of the standard BBR1 is still available for situations where the Lightpipe interface is not suitable.
Note: Due to limitations in the Lightpipe format, use of this option restricts 24-track recording to single speed sample rates (44.1kHz and 48kHz). At double sample rates the unit employs the SMUX2 protocol reducing the i/o count to 12 channels. However, the full 24/24/96kHz facility is still available in the analogue domain.
The BLACKBOX RECORDER with Digital AES/EBU i/o enables audio capture via a digital mixing console with AES/EBU inputs and outputs. Three 25-way female D-type connectors, each carrying 8 channels of inputs and outputs, can be connected directly into the digital mixer to capture and return the signals without any additional A-D conversion, giving 12 stereo channels of AES/EBU inputs and 12 stereo channels of AES/EBU outputs. Analogue inputs are also still available (switchable). All other BlackBox Recorder features remain unchanged.
The AES/EBU interfaces can operate at up to 96kHz and conform to the AES standard (AES-3:2003). It is also still possible to chain multiple BBR1D units together to make larger multitrack recordings.
The BLACKBOX RECORDER with Unbalanced i/o is designed to plug across the insert points of a standard analogue mixing console via three 25-way female D-type connectors on the rear of the unit. Three 1/4-inch TRS terminated multicore looms can be supplied (specify with order) for connecting the BBR to the console (TASCAM analogue format). Inside the unit, relays route the audio signal from input to output in all modes except during playback. This provides an additional level of safety so that in the event of a power failure on the BBR, the audio through the PA will not be affected.
In this model, eight insert returns are also brought out to TRS jacks on the rear of the unit, allowing additional outboard equipment to be plugged into insert points as required.
Based on the award-winning, tried and tested BlackBox Recorder design, the new BLACKBOX BBR64-MADI RECORDER is designed to record and replay up to 64 channels of MADI data and yet still only occupies one unit of rack space! The recorder can capture the full 64 channels at standard sample rates directly to Broadcast WAV files on an external USB2 drive. Double sample rate MADI recording (up to 96kHz) is also accommodated.
The recorder sports both coaxial and optical MADI connections for interfacing with any MADI equipped console or other equipment. Additionally, the BBR64-MADI caters for 56-channel legacy MADI and can record a further 8 channels of analogue (balanced line in) for capturing the audience reaction or general ambience.
The BBR64-MADI will lock to or generate word clock, as well as locking to the received MADI data stream. The MADI input is echoed direct to the output to ease system integration. In addition to the PFL bus providing both hi-resolution metering and headphone monitoring, an additional “mix” feature has been added to the headphone output.
The new BLACKBOX BBR64-DANTE RECORDER is designed to record and replay up to 64 channels of audio data from a Dante network. It records at 44.1kHz and 48kHz directly to Broadcast WAV files on an external USB2 drive. (Higher sample rate recording is also accommodated at a reduced track count.)
The BBR64-DANTE connects to any Dante™-enabled device from a range of console and converter manufacturers including Allen&Heath, Yamaha, MIDAS, DiGiCo and Focusrite to name but a few. Designed to support standard network components and switches, it can also record 8 channels of analogue (balanced line in) alongside 56 channels of Dante for capturing audience and ambience.
The BBR64-DANTE will lock to or generate word clock, as well as locking to the incoming Dante audio stream. In addition to the PFL bus providing both hi-resolution metering and headphone monitoring, an additional “mix” feature has been added to the headphone output.
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The BLACKBOX RECORDER
- Records up to 24 channels at 24 Bit / 96 kHz. (analogue, AES/EBU and Light pipe versions). BBR64-MADI and BBR64-DANTE record up to 64 channels. (Multiple units can be linked together for higher track counts.)
- Records audio in Broadcast WAV format onto a regular USB2 disk drive, USB Flash drive (FAT32 formatted), or SDHC card via USB2 connector. Built-in formatting facility included.
- Enables direct import of recorded audio files from the hard drive to any Mac- or PC-based DAW for instant editing and remixing. No file transfer or conversion necessary.
- Is simple to operate via a sleek front panel menu-driven user interface and touch sensitive controls.
- Is available in six models; analogue: unbalanced and balanced i/o, digital: AES/EBU and Lightpipe - for use with both analogue and digital consoles, MADI and DANTE.
- Supports Linear Time Code, MIDI time code and SONY PII (9-pin) control, MIDI Machine Control and AES / SPDIF word clock.
- Can attach to the insert points of any live console to provide Virtual Sound Check facilities.
- Includes "fail safe" features for secure audio capture such as playback lockout and preventing accidental Stop.
- Allows the creation of headphone monitoring mixes, with level and pan on each track (analogue, AES/EBU and Light pipe versions). On MADI and DANTE versions individual channels, or pairs of channels can be monitored on a PFL bus providing both hi-resolution metering and headphone monitoring.
- Features a QWERTY keyboard interface and Name Manager for easily creating templates and modifying track or song names.
- Offers enhancements for film, TV and broadcast applications including support for 23.98fps time code, improvements to 9-pin support for edit controllers and support for iXML